![]() ![]() Tom Hankins, Colorbleed Animation Studios What some people might not know, is that by using a ‘Copy Aux’ node you can convert the generated vectors from the ‘optical flow’ node to colour values for all sorts of crazy results. ![]() When plugged into a time speed node, these additionally generated frames give slow motion much smoother results. With optical flow, intermediate frames are created. When slowing down footage, you usually either get stuttering or a horrific blending of frames. Tom Hankins, Colorbleed Animation StudiosĪ great workflow to slow down footage from either a camera or CGI render is the ‘optical flow’ node, in combination with a ‘time speed’ node. I especially enjoy the way it handles skin tones, as seen below. The process gets rid of any unwanted oversaturated highlights, making final frames more pleasing to the human eye. What basically happens under the hood is a Reinhard filter is combined with an S-Curve, giving an image contrast without blowing it out. ![]() It’s something that we’ve used on virtually all our projects since its introduction.īy tone mapping using ‘filmic’ curve interpolations, you can create a far more realistic final look for your film. ![]() One of the more interesting tools available in Fusion is called the ‘Tonemapper’. With Reactor, you can install these with a click of a button, rather than having to download, copy and edit individual files manually.ĭownload it at We Suck Less (index.php). It streamlines the installation, distribution and management of third-party content like scripts, fuses, macros, templates and titles. Reactor is a free, open-source package manager that I would recommend for both Fusion and DaVinci Resolve users. ![]()
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